By Andy Adams
Black Belt, November, 1971
difference between the possible and the
impossible is one's will. Hironori Otsuka, Sensei
white-haired master, drops of sweat glistening across his brow
and up the crown of his bald spot, led 40 young karate stalwarts
in stabbing, punching and kicking their way through the paces
of a wado-kai kata.
During a brief rest period, a friend approached the master and handed him a
large, elaborately wrapped gift. "For your 80th birthday," he explained.
The karate master smiled, "In that case, you'll have to w another year.
I'm only 79."
Still lean and hard at "only 79", Hironori Otsuka is a robust example
of how the martial arts can give a man a long, healthy life. Otsuka is the
founder and honorary president of the Wado School of Karate. He is also vice
chairman of the All-Japan Karate Federation and director of the Japan Classical
Martial Arts Promotion Society. In 1966, the government honored him with the
fifth Order of Merit (the Cordon of the Rising Son) for his contributions to
The story of how this remarkable man created a new style of karate from a unique
blend of atemi-style kempo, jujitsu and the Funakoshi brand of karate goes
all the way back to 1892. Hironori Otsuka was the second child of four children.
His father, Dr. Tokujiro Otsuka, operated a clinic at their home in Shimodate,
lbaraki Prefecture. His mother's uncle, Chojiro Ebashi, was a is samurai warrior
who kept young Otsuka spellbound with h s true tales of exciting samurai adventures.
In 1898, when he was only six years old, Hironori began practicing jujitsu
under the tutelage of his father. By 13, he was a young shave-tail in the Shintoyoshin
School of Jujitsu, where, along with 35 other young students, he studied under
Yukiyoshi Tatsusaburo Nakayama. Whereas most jujitsu schools specialized in
throwing and ground or striking techniques, the Shinto-yoshiryu stressed atemi--striking
In the spring of 1911, when Otsuka was 19, he entered Waseda-one of Japan's
finest universities. While majoring in business administration, Otsuka also
started training in atemi-style kempo and continued his practice in Shinto-yoshin-ryu
and other jujitsu schools. The death of Otsuka's father in 1913 during his
junior year at Waseda forced him to withdraw and to go to work in a bank in
Shimodate. And as it turned out, he was never able to return to complete his
final year and graduate.
Eight years later, on June 1, 1921, Otsuka celebrated his 29th birthday by
taking over the mastership of the Shinto-yoshin -ryu from Nakayama upon receipt
of a certificate of "full proficiency" in the jujitsu school.
Articles Changes His Life
The next year, an article in a newspaper reporting on Crown Prince Hirohito's
visit to Europe was destined to profoundly affect Otsuka's life and provide
a new direction in his martial arts career. The story said that the Crown Prince
had also visited Okinawa, where he was entertained with a dancing performance
and a demonstration of karate. It added that an Okinawan named Gichin Funakoshi
had arrived in Japan and was planning to demonstrate the local martial art
at a public hall in Tokyo.
The 30-year-old bank clerk promptly packed himself off to Tokyo to take a first-hand
look at what this Okinawan master had to offer. He wound up at Meishojuku,
the gymnasium where Funakoshi was training some students in karate, and wasted
no time introducing himself to the diminutive martial arts master. "Funakoshi-san
welcomed me," Otsuka recalls, "and said he would gladly teach me
karate. "Although most Okinawans appear to be naturally suspicious," Otsuka
added, "he was surprisingly open and frank-even innocent." From then
on, Otsuka practiced karate virtually every night at Meishojuku. And from the
first introduction to the Okinawan martial art, ideas started whirling through
his head about adapting the atemi techniques he had learned in jujitsu to karate.
After the great earthquake of 1923, jujitsu rapidly faded in popularity, overshadowed
by judo and the newly-imported karate. Accordingly, Otsuka turned his attention
more and more to karate. Continuing his close association with Funakoshi, Otsuka
remembers that the karate master often relied on him to organize things and
assist in instructing karate students.
In 1927, Otsuka quit working at the bank and set himself up as a medical specialist
in the treatment of persons injured in the martial arts. He continued his training
in karate, and two years later he organized the first school karate club at
Tokyo University. But more importantly, in 1929 he launched a study into a
method of arranging kumite (free-style fighting) into competitive matches,
laying the basis for present-day kumite-style tournaments. Even back then,
Otsuka stressed kumite over kata, in sharp contrast to Funakoshi's teaching
After 1930, Otsuka went increasingly on his own, setting up a string of karate
clubs at various universities in Tokyo in the manner of Funakoshi. Besides
Todai (Tokyo University), they included Rikkyo and Nihon Universities as well
as Tokyo Dental College.
The big day in Otsuka's life finally arrived in the fall of 1934 when he officially
inaugurated his own unique style of karate. He called his new school the Karate
Promotion Club. But it wasn't until 1940, when the Butokukai requested each
of its member groups to submit the name of its founder and the official name
of the style or school, that Otsuka finally devised the present name-wado-kai,
or the way of harmony.
Otsuka has built his wado style of karate around nine basic kata, five of which
are regarded as the fundamental techniques. The basic stances are called taisabaki.
The atemi techniques of jujitsu have had a strong influence in the formation
of wado-kai karate. Otsuka also has incorporated the nage-waza (throwing techniques)
of jujitsu into his blended style of karate.
As developed by Otsuka, wado-kai karate consists of two practice styles: ma,
the proper distance from one's opponent; and kiai, timing, or finding the best
chance to attack. Attacking is also considered defense, since offense and defense
are part of the same movement. A blocking movement is often transformed into
an attacking movement in what amounts to one continuous motion. In other words,
the arm used to block an opponent's thrust is immediately redirected toward
the opponent's body as a counter thrust.
Another feature of wado-kai is its flexibility. When one kind of attack is
blocked or stymied, a wado-kai man will instantly shift to another type of
attack aimed at different parts of his opponent's body. He also tends to feint
against one part in order to effectively attack another part. Thrusts are not
always delivered along a level plane, but can also be directed from a low stance
along an upward plane to the body or from a high stance downward. Moreover,
attacks are variously made, from orthodox punches and kicks to knife-edge slashes,
knuckle jabs and palm thrusts against the chin.
During a recent instruction session at Tokyo Dental College, Otsuka gave a
few demonstrations of his taisabaki stances and wado-kai techniques, using
his son Jiro as the attacker. To defend against a thrust or punch aimed at
his midsection, he would wait until the very last instant before impact and
then swiftly twist his body to avert the blow. In a similar attack, he blocked
the thrust with his right forearm, countered with a punch with his left and
followed through with a knife-edge strike against the left side of the neck.
Besides body-twisting, his taisabaki movements included ducking under a thrust
or abruptly leaning back to avoid a punch. When attacked by a kick, he countered
simultaneously by knifing in to one side of the kick with a thrust. Another
time he quickly closed in to one side of his rival and threw him off-balance
by forcing him backwards with a timely push.
During the war, Otsuka continued instructing students in his newly -established
style of karate as well as working as a medical specialist in budo injuries.
Although the occupation forces banned the practice of martial arts immediately
after the war, Otsuka continued teaching karate, since his club, like many
others, operated under the disguise of offering boxing instructions.
In the early postwar years, wado-kai got its first permanent home, a hombu
dojo in front of the Tsukiji Police Station in downtown Tokyo. It had a wooden
floor large enough for 24 mats. After three years, however, Otsuka shifted
his dojo headquarters to the gymnasium of the Nakano Primary School in north
Tokyo where it is still situated. It has a membership of about 200 persons,
and karate lessons are taught twice a week. Otsuka sometimes teaches there
now, but his son Jiro is chief instructor. Today, there are some 300 wado-kai
dojo in Japan, including 70 university clubs and 230 company government offices
and private dojo. Overseas, 40 dojo are established in the United States, Canada,
Brazil, Australia and other countries around the world.
Otsuka has four children-two sons and two daughters. His younger son Jiro,
37, has taken over most of Otsuka's teaching duties since the end of the war.
At 5' 8", Jiro stands three inches taller than his father and at 155 pounds
outweighs him by 35 pounds. Jiro is also a shodan in aikido.
Active At Eighty
Living with his wife Toki and daughter Aiko in suburban Tokyo, Otsuka follows
an amazingly busy schedule for a man who will soon hit 80. For the past 30
years it has been his custom to get up in the morning, immediately put on his
karate gi and energetically practice for 20 minutes. He concentrates on only
one technique a day, continuing it for a month at a time.
After lunch, Otsuka takes a train into the center of the city. Twice a week
he teaches karate at one of the university clubs or company dojo affiliated
with wado-kai; the other four days he spends inspecting his string of dojo
around Tokyo, taking care of his duties as vice chairman of the All-Japan Karate-do
Federation, or pursuing his continuing study of karate techniques. He also
spends time giving special demonstrations of wado-kai karate and overseeing
the annual All-Japan Wado-Kai Tournament.
The aging karate master doesn't drink, and he gave up smoking 20 years ago.
When riding on the trains, he stands rather than sits. He also does a lot of
walking, practicing some of the principles of taisabaki when moving through
large crowds-twisting, dodging, switching stances, etc. He even has enough
energy to walk up all five floors when he instructs at Tokyo Dental College.
Otsuka claims his secret of longevity is to "never fret about the past.
I concentrate on the present and plan for the future."
Otsuka's last big project is to set up an organization like the old Butokukai
that would bring all of the Japanese martial arts under its wing. The new organization
would not be controlled by the government like its predecessor, but would serve
a similar purpose of integrating the martial arts and coordinating their activates.
The nucleus would be either the Japan Classical Martial Arts Promotion Society
or the Nippon Budokan Association.
It's an ambitious project for an octogenarian, but if Otsuka's past and present
health is any indication of his future well-being, he still has plenty of time
to achieve such a worthwhile goal. And for an energetic and dedicated man like
Hironori Otsuka, no dream is too big.
Black Belt Magazine
Message from the Otsuka Family