|
ABOUT GOJU RYU KARATE
Goju-ryu is well known as a hard/soft style of
karate. Founded in the 1920s by Chojun Miyagi, the system blends
the hard linear Okinawan style of naha-te with the soft circular
movements of Chinese pa-kua chang.
In both philosophy and practice Goju ryu attempts
to harmonize the hard and soft. Some techniques are hard and depend
on power and bone-crushing strength. Other techniques are soft
and rely on speed, flexibility and deflecting movements.
Hard and Soft
In keeping with this dual philosophy, Goju-ryu
uses two blocking systems: hard and soft. To an outsider, the only
apparent difference between the two is whether the hand is opened
or closed. Soft blocks are performed with an open hand; hard blocks
use a closed fist. However, the true difference between the two
types of blocks goes far beyond hand position.
Chuck Merriman, Black Belt's 1980 Hall of Fame
Instructor of the Year, believes the difference in blocks helps
make Goju-ryu a very versatile, dynamic karate system. He believes
hard blocks are better for beginners.
"The average person on the street can understand
a hard block," he explains. "It uses force against force.
It's linear and is designed to hurt the attacker while stopping
his blow. And closed-fist blocks are less likely to expose be-
ginners to hand injuries in sparring practice."
Soft blocks, on the other hand, are better for
more advanced students. The concept behind soft blocks is more
diffi- cult for most people to grasp. These blocks are circular
and redirect or neutralize a blow. Soft blocks require more body
shifting and evasive movement than hard blocks do.
Body Movement
Body movement is important in understanding the
two types of Goju-ryu blocks. Picture a horizontal and a vertical
line crossing each other at their midpoints to form right angles.
Like the four points of a compass, this design represents the four
directions of movement that beginners learn to use. They can move
forward, backward or side to side. Hard blocks are performed in
any of these directions.
Now visualize diagonal lines intersecting the
two lines at 45-degree angles. This represents the intermediate
student's directions of movement in meeting an attack. If additional
intersecting lines are drawn, the design becomes a circle. The
circle represents the highest level of movement in meeting an attack.
Are Soft Blocks Weak?
Soft blocks are best used when your opponent shifts
and evades blows. "In Goju-ryu kata (forms)," Merriman
says, "hard blocks appear in lower-level forms while soft
blocks appear in more advanced kata."
For proper execution, soft blocks require more
skill and focus than hard blocks do. They are performed with very
fast, snapping movements and are popular with advanced students
for sparring. Soft blocks require less energy and often appear
weak - at least to the uninitiated. However, as many people painfully
discover, these seemingly soft slaps are very powerful.
Blocks as Strikes
In Goju-ryu, attacks and defense become one as
soft blocks blend smoothly into hard counterattacks. Practitioners
don't lock themselves into absolute or narrow interpretations of
how their techniques should be used in combat. For advanced practitioners,
blocks can be used as strikes and strikes can be used as blocks.
When students grasp this concept, their arsenal of techniques doubles.
They discover that the apparent opposites of hard and soft, blocks
and strikes, and attack and defense are really two sides of the
same coin.
For instance, the age uke is a hard rising upward
block commonly used against a thrust to the face. The block is
made with the boney edge of the forearm and is designed to hurt
the attacker's striking arm. The age uke can also be applied as
a rising forearm smash to an attacker's face. If the block can
damage an attacker's arm, imagine its effect when it strikes his
face.
Similarly, the palm heel is often used in sweeping
downward and outward to deflect a front kick. The "soft" palm
heel is very effective in slapping away the "hard" incoming
kick. At the same time it provides a stinging, penetrating blow.
Imagine the effect of this block when delivered to a vulnerable
target, such as the groin.
Strikes are very effective as blocks. In Goju-ryu,
strikes can stop an attack before it happens. For example, an attacker's
punch can be deflected by hitting his arm with a backfist strike.
Kicks can be stopped by strikes if the defender
has quick reflexes. When the attacker lifts his leg to chamber
a kick, the defender must make his move. A reverse punch to the
inner thigh will stop most attackers from completing their kick.
An even more potent defense would be to drive a knee strike into
the attacker's inner thigh - an extremely sensitive area.
A Thinking Person's Art
Goju-ryu, like many martial arts systems, encourages
thinking. Think about what your techniques are designed to do.
Then think some more. The application of techniques is limited
only by your knowledge and experience.
|
